Transfiguring Pain Poetically: Exploring the Liberating Potential of Artistic Creation – University of Copenhagen

Forward this page to a friend Resize Print kalender-ikon Bookmark and Share

English > Events > 2018 > Transfiguring Pain Poe...

Transfiguring Pain Poetically: Exploring the Liberating Potential of Artistic Creation

Carl Fredrik Hill, ”Uden titel,” 1883-1911. Malmö Kunstmuseum

Working across the disciplines of art theory, philosophical aesthetics, literary analysis, existential-hermeneutical psychopathology, psychoanalysis, theology and philosophy of religion, the overall ambition of this research seminar and PhD course consists in developing and exploring an “ethico-aesthetic paradigm” (Guattari), which emphasizes the inextricability of ethics and aesthetics in approaching artistic creations by individuals experiencing psychopathological disturbances without reducing their idiomatic singularity.

Focusing chiefly on visual artspoetic language, and their occasional overlapping, the development of such an ethico-aesthetic paradigm serves three coordinated aims to be pursued through analyses of various art works, first-person perspective texts, and anonymized clinical vignettes.

First, the project aims at enabling a better understanding of artistic creation as an ethos, conceived not as a code of conduct or a set of moral beliefs, but as a resourceful way of existing and of (re)making sense of this existence. Second, the project explores if and how the creative act may be conceived as a gesture of freedom enabling a reinvigoration of a process of life, which may have become fixated or paralyzed by its subjection to disturbing, painful, or traumatic experiences, and thus reopening a mode of the possiblewithin a reality that may appear devoid of all possibilities. Third, the project inquires into artistic creation as an affirmative resistance, which, on the one hand, counter-acts andresponds to actualizations that may appear incomprehensible and unsayable to more ‘conventional’ discourses such as the clinical, the conceptual, or the critical while, on the other hand, affirming a process of auto-hetero-poiesis, understood as a reinvention of oneself in the incessant exposure to becoming other.

Program

10.00 Words of welcome

First session: clinical experience

10.15 – 11.00:  Hanne Stubbe Teglbjærg, Kastedklinikken Aarhus: “How art making can strengthen the sense of self and thereby reduce psychopathology in persons diagnosed with schizophrenia

11.00 – 11.45:  Borut Škodlar and Kristijan Sirnik, University of Ljubljana and University Psychiatric Clinic Ljubljana: “Transforming existential pain: Poet, mystic, and psychotic

11.45 – 12.15:  Discussion

12.15 – 13.15:  Lunch

Second session: PhD papers

13.15 – 13.45:  Erik Sandsten, Psychiatry East (Roskilde): “Creativity and mental illness –brief overview of empirical studies

13.45 – 14.15:   Casper Løwenstein, Copenhagen University: “Cuts and wounds

14.15 – 14.45:   Tina Folke Drigsdahl, Copenhagen University: “Untitled: Francesca Woodman’s writing - with light - under erasure”

14.45 – 15.15:   Coffee break

Third session: art, philosophy and theology – between ethics and aesthetics

15.15 – 16.00:   Ferdinand Ahm Krag, Royal Danish Academy of Fine Arts: “C. F. Hill – on the irregular cartography of attention in schizoid image formation

16.00 – 16.45:  Cathrine Bjørnholt Michaelsen, Copenhagen University: “Antonin Artaud and the counter-strategy of writing

16.45 – 17.30:   Anna Westin, London School of Theology: “The body in pain: The role of poetic revelation in anorexia nervosa

17.30 – 18.00:   Plenary discussion and closing remarks by Claudia Welz

Research seminar and PhD course funded by the PhD School of the Faculty of Theology, University of Copenhagen, and the Centre for Pastoral Education and Research, Church of Denmark

Everyone is welcome!

Participation is free, but online registration required by January 10, 2018