A Byzantine chant collection from Sicily: a collaboration between Copenhagen and Piana degli Albanesi (Palermo)

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Standard

A Byzantine chant collection from Sicily: a collaboration between Copenhagen and Piana degli Albanesi (Palermo). / Sanfratello, Giuseppe.

I: Kulturstudier, Bind Årg. 7, Nr. Nr. 1 (2016), 5, 07.2016.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Sanfratello, G 2016, 'A Byzantine chant collection from Sicily: a collaboration between Copenhagen and Piana degli Albanesi (Palermo)', Kulturstudier, bind Årg. 7, nr. Nr. 1 (2016), 5. https://doi.org/10.7146/ks.v7i1.24055

APA

Sanfratello, G. (2016). A Byzantine chant collection from Sicily: a collaboration between Copenhagen and Piana degli Albanesi (Palermo). Kulturstudier, Årg. 7(Nr. 1 (2016)), [5]. https://doi.org/10.7146/ks.v7i1.24055

Vancouver

Sanfratello G. A Byzantine chant collection from Sicily: a collaboration between Copenhagen and Piana degli Albanesi (Palermo). Kulturstudier. 2016 jul; Årg. 7(Nr. 1 (2016)). 5. https://doi.org/10.7146/ks.v7i1.24055

Author

Sanfratello, Giuseppe. / A Byzantine chant collection from Sicily: a collaboration between Copenhagen and Piana degli Albanesi (Palermo). I: Kulturstudier. 2016 ; Bind Årg. 7, Nr. Nr. 1 (2016).

Bibtex

@article{8015807a96d643ab874c97733aa669a5,
title = "A Byzantine chant collection from Sicily: a collaboration between Copenhagen and Piana degli Albanesi (Palermo)",
abstract = "The aim of this paper is to give an account of the collaboration between a collector of the Byzantine chant tradition of Piana degli Albanesi (Palermo) in Sicily, namely fr. Bartolomeo Di Salvo, and the editorial board of the Monumenta Musicae Byzantinae, i.e. an institution under the aegis of the University of Copenhagen. Before describing precisely how this collaboration has developed, I will briefly introduce the “Sicilian-Albanian” oral liturgical chant tradition. Among his publications are Oral performances in a (post)-literate society (Lund, 2016), The songs of the roots (forthcoming chapter on Cretan music, University of Vienna), Creative performance in the liturgy: a formulaic melodic language in the Sicilian-Albanian chant tradition (forthcoming, University of Joensuu, Finland), and several articles as chapters of his doctoral thesis.N{\o}gleordByzantine chant, Oral transmission, Sicily, Collections, Ethnomusicology, Critical edition, Monumenta Musicae Byzantinae (MMB)",
keywords = "Faculty of Humanities, Byzantine chant, Oral transmission, Sicily, Collections, Ethnomusicology, Critical edition, Monumenta Musicae Byzantinae (MMB)",
author = "Giuseppe Sanfratello",
year = "2016",
month = "7",
doi = "http://dx.doi.org/10.7146/ks.v7i1.24055",
language = "English",
volume = "{\AA}rg. 7",
journal = "Kulturstudier",
issn = "1904-5352",
publisher = "Dansk Historisk F{\ae}llesr{\aa}d & Foreningen Danmarks Folkeminder",
number = "Nr. 1 (2016)",

}

RIS

TY - JOUR

T1 - A Byzantine chant collection from Sicily: a collaboration between Copenhagen and Piana degli Albanesi (Palermo)

AU - Sanfratello, Giuseppe

PY - 2016/7

Y1 - 2016/7

N2 - The aim of this paper is to give an account of the collaboration between a collector of the Byzantine chant tradition of Piana degli Albanesi (Palermo) in Sicily, namely fr. Bartolomeo Di Salvo, and the editorial board of the Monumenta Musicae Byzantinae, i.e. an institution under the aegis of the University of Copenhagen. Before describing precisely how this collaboration has developed, I will briefly introduce the “Sicilian-Albanian” oral liturgical chant tradition. Among his publications are Oral performances in a (post)-literate society (Lund, 2016), The songs of the roots (forthcoming chapter on Cretan music, University of Vienna), Creative performance in the liturgy: a formulaic melodic language in the Sicilian-Albanian chant tradition (forthcoming, University of Joensuu, Finland), and several articles as chapters of his doctoral thesis.NøgleordByzantine chant, Oral transmission, Sicily, Collections, Ethnomusicology, Critical edition, Monumenta Musicae Byzantinae (MMB)

AB - The aim of this paper is to give an account of the collaboration between a collector of the Byzantine chant tradition of Piana degli Albanesi (Palermo) in Sicily, namely fr. Bartolomeo Di Salvo, and the editorial board of the Monumenta Musicae Byzantinae, i.e. an institution under the aegis of the University of Copenhagen. Before describing precisely how this collaboration has developed, I will briefly introduce the “Sicilian-Albanian” oral liturgical chant tradition. Among his publications are Oral performances in a (post)-literate society (Lund, 2016), The songs of the roots (forthcoming chapter on Cretan music, University of Vienna), Creative performance in the liturgy: a formulaic melodic language in the Sicilian-Albanian chant tradition (forthcoming, University of Joensuu, Finland), and several articles as chapters of his doctoral thesis.NøgleordByzantine chant, Oral transmission, Sicily, Collections, Ethnomusicology, Critical edition, Monumenta Musicae Byzantinae (MMB)

KW - Faculty of Humanities

KW - Byzantine chant

KW - Oral transmission

KW - Sicily

KW - Collections

KW - Ethnomusicology

KW - Critical edition

KW - Monumenta Musicae Byzantinae (MMB)

U2 - http://dx.doi.org/10.7146/ks.v7i1.24055

DO - http://dx.doi.org/10.7146/ks.v7i1.24055

M3 - Journal article

VL - Årg. 7

JO - Kulturstudier

JF - Kulturstudier

SN - 1904-5352

IS - Nr. 1 (2016)

M1 - 5

ER -

ID: 166730537