Between Transnationalism and Localization: The Pan-European TV Miniseries 14 - Diaries of the Great War

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Between Transnationalism and Localization: The Pan-European TV Miniseries 14 - Diaries of the Great War. / Andersen, Tea Sindbæk; Arnold-de Simine, Silke.

I: Image [&] Narrative, Bind 18, Nr. 1, 04.2017, s. 63-79.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Andersen, TS & Arnold-de Simine, S 2017, 'Between Transnationalism and Localization: The Pan-European TV Miniseries 14 - Diaries of the Great War', Image [&] Narrative, bind 18, nr. 1, s. 63-79.

APA

Andersen, T. S., & Arnold-de Simine, S. (2017). Between Transnationalism and Localization: The Pan-European TV Miniseries 14 - Diaries of the Great War. Image [&] Narrative, 18(1), 63-79.

Vancouver

Andersen TS, Arnold-de Simine S. Between Transnationalism and Localization: The Pan-European TV Miniseries 14 - Diaries of the Great War. Image [&] Narrative. 2017 apr;18(1):63-79.

Author

Andersen, Tea Sindbæk ; Arnold-de Simine, Silke. / Between Transnationalism and Localization: The Pan-European TV Miniseries 14 - Diaries of the Great War. I: Image [&] Narrative. 2017 ; Bind 18, Nr. 1. s. 63-79.

Bibtex

@article{d5919e6e933d4e31b89538c0e3ebc92c,
title = "Between Transnationalism and Localization: The Pan-European TV Miniseries 14 - Diaries of the Great War",
abstract = "14 –Diaries of the Great War is a transmedial project consisting of a documentary TV-series, a website, a radio programme, a photo book and a museum exhibition, produced for the centenary of World War One in 2014. The project was created by a transnational collaboration and aimed for a transnational audience. The TV-series aspired to create a new kind of historical documentary, showing history as it was experienced by ordinary people. This article compares how 14 – Diaries of the Great War was realised and received in Great Britain, Germany, Denmark and Sweden. We argue that the TV-series, in spite of its transnational origin and ambitions was in effect being localized and re-nationalized, as it was adapted to the presumed preferences of national audiences.",
keywords = "Faculty of Humanities, Transnational memory, World War One Centenary, Commemoration, TV documentary, 14 diaries of the Great War, Transmediality",
author = "Andersen, {Tea Sindb{\ae}k} and {Arnold-de Simine}, Silke",
year = "2017",
month = "4",
language = "English",
volume = "18",
pages = "63--79",
journal = "Image [&] Narrative",
issn = "1780-678X",
publisher = "Open Humanities Press",
number = "1",

}

RIS

TY - JOUR

T1 - Between Transnationalism and Localization: The Pan-European TV Miniseries 14 - Diaries of the Great War

AU - Andersen, Tea Sindbæk

AU - Arnold-de Simine, Silke

PY - 2017/4

Y1 - 2017/4

N2 - 14 –Diaries of the Great War is a transmedial project consisting of a documentary TV-series, a website, a radio programme, a photo book and a museum exhibition, produced for the centenary of World War One in 2014. The project was created by a transnational collaboration and aimed for a transnational audience. The TV-series aspired to create a new kind of historical documentary, showing history as it was experienced by ordinary people. This article compares how 14 – Diaries of the Great War was realised and received in Great Britain, Germany, Denmark and Sweden. We argue that the TV-series, in spite of its transnational origin and ambitions was in effect being localized and re-nationalized, as it was adapted to the presumed preferences of national audiences.

AB - 14 –Diaries of the Great War is a transmedial project consisting of a documentary TV-series, a website, a radio programme, a photo book and a museum exhibition, produced for the centenary of World War One in 2014. The project was created by a transnational collaboration and aimed for a transnational audience. The TV-series aspired to create a new kind of historical documentary, showing history as it was experienced by ordinary people. This article compares how 14 – Diaries of the Great War was realised and received in Great Britain, Germany, Denmark and Sweden. We argue that the TV-series, in spite of its transnational origin and ambitions was in effect being localized and re-nationalized, as it was adapted to the presumed preferences of national audiences.

KW - Faculty of Humanities

KW - Transnational memory

KW - World War One Centenary

KW - Commemoration

KW - TV documentary

KW - 14 diaries of the Great War

KW - Transmediality

UR - http://www.imageandnarrative.be/index.php/imagenarrative/article/view/1480

M3 - Journal article

VL - 18

SP - 63

EP - 79

JO - Image [&] Narrative

JF - Image [&] Narrative

SN - 1780-678X

IS - 1

ER -

ID: 176830054