Docudrama and the cognitive evaluation of realism

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskningfagfællebedømt

Standard

Docudrama and the cognitive evaluation of realism. / Grodal, Torben Kragh.

Cognitive Theory and Documentary Film. red. / Catalin Brylla; Mette Kramer. Cham : Palgrave Macmillan, 2018. s. 75-91.

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskningfagfællebedømt

Harvard

Grodal, TK 2018, Docudrama and the cognitive evaluation of realism. i C Brylla & M Kramer (red), Cognitive Theory and Documentary Film. Palgrave Macmillan, Cham, s. 75-91. https://doi.org/10.1007/978-3-319-90332-3_5

APA

Grodal, T. K. (2018). Docudrama and the cognitive evaluation of realism. I C. Brylla, & M. Kramer (red.), Cognitive Theory and Documentary Film (s. 75-91). Cham: Palgrave Macmillan. https://doi.org/10.1007/978-3-319-90332-3_5

Vancouver

Grodal TK. Docudrama and the cognitive evaluation of realism. I Brylla C, Kramer M, red., Cognitive Theory and Documentary Film. Cham: Palgrave Macmillan. 2018. s. 75-91 https://doi.org/10.1007/978-3-319-90332-3_5

Author

Grodal, Torben Kragh. / Docudrama and the cognitive evaluation of realism. Cognitive Theory and Documentary Film. red. / Catalin Brylla ; Mette Kramer. Cham : Palgrave Macmillan, 2018. s. 75-91

Bibtex

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title = "Docudrama and the cognitive evaluation of realism",
abstract = "The chapter discusses aspects of the cognitive and emotional underpinnings of viewers' experience of the real in audiovisual documentaries with a special focus on docudrama. It analyzes the psychological strategies that viewers use to evaluate the veracity of documentaries - eg Tversky and Kahneman's concepts :availability, representativeness and anchoring, and discuss how these mechanisms will make different viewers have different evaluations of the veracity of documentaries. The chapter exemplify the viewer-documentary interaction by an analysis of the docudrama {"}The Queen{"}.",
keywords = "Faculty of Humanities, cognitive film theory, docudrama, cognitive reception processes",
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year = "2018",
month = "8",
doi = "10.1007/978-3-319-90332-3_5",
language = "English",
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editor = "Catalin Brylla and Mette Kramer",
booktitle = "Cognitive Theory and Documentary Film",
publisher = "Palgrave Macmillan",
address = "United Kingdom",

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RIS

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AB - The chapter discusses aspects of the cognitive and emotional underpinnings of viewers' experience of the real in audiovisual documentaries with a special focus on docudrama. It analyzes the psychological strategies that viewers use to evaluate the veracity of documentaries - eg Tversky and Kahneman's concepts :availability, representativeness and anchoring, and discuss how these mechanisms will make different viewers have different evaluations of the veracity of documentaries. The chapter exemplify the viewer-documentary interaction by an analysis of the docudrama "The Queen".

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KW - cognitive film theory, docudrama, cognitive reception processes

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BT - Cognitive Theory and Documentary Film

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