Handelsorientalisme i engelsk drama 1580-1630

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Standard

Handelsorientalisme i engelsk drama 1580-1630. / Fastrup, Anne.

I: K & K, Bind 124, 2018, s. 89-109.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Fastrup, A 2018, 'Handelsorientalisme i engelsk drama 1580-1630', K & K, bind 124, s. 89-109.

APA

Fastrup, A. (2018). Handelsorientalisme i engelsk drama 1580-1630. K & K, 124, 89-109.

Vancouver

Fastrup A. Handelsorientalisme i engelsk drama 1580-1630. K & K. 2018;124:89-109.

Author

Fastrup, Anne. / Handelsorientalisme i engelsk drama 1580-1630. I: K & K. 2018 ; Bind 124. s. 89-109.

Bibtex

@article{24b7678622484bac8f5ccc38a5e92295,
title = "Handelsorientalisme i engelsk drama 1580-1630",
abstract = "The article discusses the particular mercantile character of English renaissance orientalism. Through the demonstration of how the theatrical representation of the encounter with the Muslim world was based on a moral suspicousness or scepticism toward the merchant whose commerce depended on foreign markets, this articel attemps to understand why conversion to Islam and cross-cultural movement becomes such a prominent feature in the English Turco-Barbary plays.",
keywords = "Det Humanistiske Fakultet, commerce, orientalism, renegate, islam, market place, pirates, conversion, early modern drama, Turco-Barbary",
author = "Anne Fastrup",
year = "2018",
language = "Dansk",
volume = "124",
pages = "89--109",
journal = "K & K",
issn = "0905-6998",
publisher = "Forlaget Medusa",

}

RIS

TY - JOUR

T1 - Handelsorientalisme i engelsk drama 1580-1630

AU - Fastrup, Anne

PY - 2018

Y1 - 2018

N2 - The article discusses the particular mercantile character of English renaissance orientalism. Through the demonstration of how the theatrical representation of the encounter with the Muslim world was based on a moral suspicousness or scepticism toward the merchant whose commerce depended on foreign markets, this articel attemps to understand why conversion to Islam and cross-cultural movement becomes such a prominent feature in the English Turco-Barbary plays.

AB - The article discusses the particular mercantile character of English renaissance orientalism. Through the demonstration of how the theatrical representation of the encounter with the Muslim world was based on a moral suspicousness or scepticism toward the merchant whose commerce depended on foreign markets, this articel attemps to understand why conversion to Islam and cross-cultural movement becomes such a prominent feature in the English Turco-Barbary plays.

KW - Det Humanistiske Fakultet

KW - commerce, orientalism, renegate, islam, market place, pirates, conversion, early modern drama, Turco-Barbary

M3 - Tidsskriftartikel

VL - 124

SP - 89

EP - 109

JO - K & K

JF - K & K

SN - 0905-6998

ER -

ID: 195768064