The Politics and Sociology of Screening the Past: A National and Transnational Perspective

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskningfagfællebedømt

Standard

The Politics and Sociology of Screening the Past : A National and Transnational Perspective. / Bondebjerg, Ib.

Screening European Heritage: Creating and Consuming History on Film. red. / Paul Cooke; Rob Stone. London : Palgrave Macmillan, 2016. s. 3-24.

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskningfagfællebedømt

Harvard

Bondebjerg, I 2016, The Politics and Sociology of Screening the Past: A National and Transnational Perspective. i P Cooke & R Stone (red), Screening European Heritage: Creating and Consuming History on Film. Palgrave Macmillan, London, s. 3-24. https://doi.org/10.1057/978-1-137-52280-1

APA

Bondebjerg, I. (2016). The Politics and Sociology of Screening the Past: A National and Transnational Perspective. I P. Cooke, & R. Stone (red.), Screening European Heritage: Creating and Consuming History on Film (s. 3-24). London: Palgrave Macmillan. https://doi.org/10.1057/978-1-137-52280-1

Vancouver

Bondebjerg I. The Politics and Sociology of Screening the Past: A National and Transnational Perspective. I Cooke P, Stone R, red., Screening European Heritage: Creating and Consuming History on Film. London: Palgrave Macmillan. 2016. s. 3-24 https://doi.org/10.1057/978-1-137-52280-1

Author

Bondebjerg, Ib. / The Politics and Sociology of Screening the Past : A National and Transnational Perspective. Screening European Heritage: Creating and Consuming History on Film. red. / Paul Cooke ; Rob Stone. London : Palgrave Macmillan, 2016. s. 3-24

Bibtex

@inbook{d24ae8dd85154c70b4d5d4c8b02991ea,
title = "The Politics and Sociology of Screening the Past: A National and Transnational Perspective",
abstract = "Heritage cinema and television is closely linked to our existence as members of a national community. Visualising and narrating the past is an important mental and symbolic part of creating that feeling of belonging to a nation. Through collective stories and images of the past such film and television products feed into our personal memory and history. Memory studies point to the deep sociological and cultural functions of memory. However, even though the national context has a strong place in the production context for heritage cinema, the transnational dimension is also of central importance. In this article I will trace the development of EU cultural policy and the film and media policy. I will combine this with a focus on the development of film and media policy on a national level through a case study of Danish heritage television productions and the national and transnational dimensions of cultural policy has framed their production and reception.",
keywords = "Faculty of Humanities, film history, Film policy, European Culture",
author = "Ib Bondebjerg",
year = "2016",
month = "9",
day = "15",
doi = "10.1057/978-1-137-52280-1",
language = "English",
isbn = "978-1-137-52279-5",
pages = "3--24",
editor = "Cooke, {Paul } and Rob Stone",
booktitle = "Screening European Heritage",
publisher = "Palgrave Macmillan",
address = "United Kingdom",

}

RIS

TY - CHAP

T1 - The Politics and Sociology of Screening the Past

T2 - A National and Transnational Perspective

AU - Bondebjerg, Ib

PY - 2016/9/15

Y1 - 2016/9/15

N2 - Heritage cinema and television is closely linked to our existence as members of a national community. Visualising and narrating the past is an important mental and symbolic part of creating that feeling of belonging to a nation. Through collective stories and images of the past such film and television products feed into our personal memory and history. Memory studies point to the deep sociological and cultural functions of memory. However, even though the national context has a strong place in the production context for heritage cinema, the transnational dimension is also of central importance. In this article I will trace the development of EU cultural policy and the film and media policy. I will combine this with a focus on the development of film and media policy on a national level through a case study of Danish heritage television productions and the national and transnational dimensions of cultural policy has framed their production and reception.

AB - Heritage cinema and television is closely linked to our existence as members of a national community. Visualising and narrating the past is an important mental and symbolic part of creating that feeling of belonging to a nation. Through collective stories and images of the past such film and television products feed into our personal memory and history. Memory studies point to the deep sociological and cultural functions of memory. However, even though the national context has a strong place in the production context for heritage cinema, the transnational dimension is also of central importance. In this article I will trace the development of EU cultural policy and the film and media policy. I will combine this with a focus on the development of film and media policy on a national level through a case study of Danish heritage television productions and the national and transnational dimensions of cultural policy has framed their production and reception.

KW - Faculty of Humanities

KW - film history

KW - Film policy

KW - European Culture

U2 - 10.1057/978-1-137-52280-1

DO - 10.1057/978-1-137-52280-1

M3 - Book chapter

SN - 978-1-137-52279-5

SP - 3

EP - 24

BT - Screening European Heritage

A2 - Cooke, Paul

A2 - Stone, Rob

PB - Palgrave Macmillan

CY - London

ER -

ID: 129420122