The Notion of an Imaginary Space in Music: Interpreting Mozart's Requiem in Liturgical, Denominational, and Secular Contexts

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskningfagfællebedømt

Taking its point of departure in the traditional musicological question of how to
understand the notion of the “musical work” – in terms of its – visible – notation
or its – invisible – performance? – this article discusses the consequences of new
listening practices for historical compositions of liturgical texts in other religious
or secular contexts than the original. The article raises the question, what this
may mean for the understanding of the musical work. Based on a philosophical
idea expressed by the Danish theologian-philosopher K.E. Løgstrup, this leads to
notions of different imaginary (and thus invisible) musical spaces connected to
what is traditionally understood as one musical work. Along the way, Mozart’s
Requiem (1791) and its reception history are used as the overarching example.
OriginalsprogEngelsk
TitelIn-visibility : Reflections upon Visibility and Transcendence in Theology, Philosophy and the Arts
RedaktørerAnna Vind, Iben Damgaard, Kirsten Busch Nielsen, Sven Rune Havsteen
Antal sider21
UdgivelsesstedGöttingen
ForlagVandenhoeck & Ruprecht
Publikationsdato2020
Sider339 - 359
ISBN (Trykt)978-3-525-55071-7
ISBN (Elektronisk)978-3-647-55071-8
StatusUdgivet - 2020
NavnRefo500 Academic Studies
Vol/bind18

ID: 251025823