Publications 2020

with Michaël Green and Lars Cyril Nørgaard: “En privé & en public: The Epistolary Preparation of the Dutch Stadtholders”, Journal of Early Modern History, vol. 24 no.3: pp. 253-279. Brill.

“A Mirror for the Prince? Anne of Denmark in Hunting Costume with Her Dogs (1617) by Paul van Somer” Journal of Historians of Netherlandish Art, Vol. 12 no. 2.
Review of Darker Shades. The Racial Other in Early Modern Art by Victor Stoichita. Renaissance Studies. DOI: 10.1111/rest.12674

with Mette Birkedal Bruun and Lars Cyril Nørgaard: “En privé & en public: The Epistolary Preparation of the Dutch Stadtholders”, Journal of Early Modern History, vol. 24 no.3: pp. 253-279. Brill.

"Costumes and Cosmopolitanism: Italian Opera in the North" in Cambridge Opera Journal. Vol. 32 no. 1, pp. 27-51.
with Valeria De Lucca (eds.): The Grand Theatre of the World: Music, Space, and the Performance of Identity in Early Modern Rome, Collection Ashgate Interdisciplinary Studies in Opera, London, New York: Routledge.
with Valeria De Lucca: “Introduction” and “Exploring the Soundscape of Early Modern Rome through Uberti’s Contrasto musico” in The Grand Theatre of the World: Music, Space, and the Performance of Identity in Early Modern Rome edited by Valeria De Lucca and Christine Jeanneret, pp. 1-30.

"Intercambios entre la arquitectura de los Países Bajos y España durante el gobierno de los Archiduques. La impronta de la alta nobleza". In Apariencia y razón. Las artes y la arquitectura en el reinado de Felipe III, translated by Bernardo J. García García, edited by Ángel Rodríguez Rebollo, pp. 171–86. Madrid: Ediciones Doce Calles.

”Kvinnan som hotade staten: Migration och säkerhetisering under 1700-talet [The woman who threatened the state: Migration and securitization during the eighteenth century]”, In Järn i elden: Kön, makt och relationer 1600-2020 [While the iron is hot: Gender, power, and relations, 1600-2020], edited by Martin Dackling & Sari Nauman, pp. 98-128. Gothenburg/Stockholm: Makadam.
“Inledning [Introduction]”, In Järn i elden: Kön, makt och relationer 1600-2020 [While the iron is hot: Gender, power, and relations, 1600-2020], edited by Martin Dackling & Sari Nauman, pp. 11-18. Gothenburg/Stockholm: Makadam.
with Martin Dackling (eds.): Järn i elden: Kön, makt och relationer 1600-2020 [While the iron is hot: Gender, power, and relations, 1600-2020]. Gothenburg/Stockholm: Makadam. ISBN: 9789-91-7061-326-5.
“'You cannot pass': The reception and rejection of a stranger in Helsingborg 1744", In Migrants and the Making of the Urban-Maritime World, edited by Christina Reimann & Martin Öhman, pp. 129–152. New York: Routledge .
Review of Le Sacré et la parole: Le serment au Moyen Âge by Martin Aurell, Jaume Aurell, and Montserrat Herrero, The Medieval Review: Series Civilisation médiévale, Paris: Classiques Garnier.
Review of Fröjdelekar: Glädje, lust och nöjen under svensk stormaktstid, by Annika Sandén, in Respons 2020, vol. 4.

with Michaël Green and Mette Birkedal Bruun: “En privé & en public: The Epistolary Preparation of the Dutch Stadtholders”, Journal of Early Modern History, vol. 24 no.3: pp. 253-279. Brill.

with Víctor Mínguez, Juan Chiva, Pablo González Tornel and Inmaculada Rodríguez, La fiesta renacentista. El imperio de Carlos V (1500-1558), Universitat Jaume I, ISBN: 978-84-17900-89-2.

Review of the exhibition: “Als Ich Can”, 10 July - 6 January 2020, Kunstkammer, Kunsthistorisches Museum, Viena, MUZEOLÓGIA a kultúrne dedičstvo, vol. 2, 2020, pp. 117-120, ISSN: 1339-2204.