Christine Jeanneret
Associate Professor
Section of Church History
Karen Blixens Plads 16
2300 København S
- Published
Maria Cavalli: In The Shadow of Francesco
Jeanneret, Christine, 2013, Readying Cavalli’s Operas for the Stage: Manuscript, Edition, Production. Rosand, E. (ed.). Farnham: Ashgate, p. 95-117 22 p. (Ashgate Interdisciplinary Studies in Opera).Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- Published
La construction d’un monstre: La figure de Girolamo Frescobaldi, virtuose génial et gribouilleur
Jeanneret, Christine, 2012, La musique à Rome au XVIIe siècle : Etudes et perspectives de recherches. Goulet, A-M. & Giron-Panel, C. (eds.). Rome: École française de Rome, p. 321-39Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- Published
The Score as a Representation , eds T. Dumitriescu, K. Kügle, M. van Berchum: Writing and Printing Techniques of Music in Italy (1580s-1650s)
Jeanneret, Christine, 2013, Early Music Editing: Principles, Historiography, Future Directions. Dumitrescu, T., Kügle, K. & van Berchum, M. (eds.). Turnhout: Brepols Publishers, p. 171-194Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- Published
Wolfgang: Notation Software for Musicological Application
Jeanneret, Christine & Pugin, L., 2006, In: Computing in Musicology. p. 61-72Research output: Contribution to journal › Journal article › Research › peer-review
- Published
Places of Memory and Invention A. Woolley, J. Kitchen (Farnham: Ashgate), 65-81: The Compositional Process in Frescobaldi’s Manuscripts
Jeanneret, Christine, 2013, Interpreting historical keyboard music : Sources, contexts and performance. Woolley, A. & Kitchen, J. (eds.). Farnham: Ashgate, p. 65-81Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- Published
The Chameleon Does Not Feed on Air: A Reply to Annibaldi’s Observations
Jeanneret, Christine, 2013, In: Early Music. 41 , 2, p. 331-33Research output: Contribution to journal › Comment/debate › Research › peer-review
- Published
Le Théâtre Français au Septentrion (1669–1728): Diplomatie, Échanges Culturels et Migration entre Paris et Copenhague
Jeanneret, Christine, 26 Apr 2021, In: Early Modern French Studies. 43, 2, p. 200-221Research output: Contribution to journal › Journal article › Research › peer-review
- Published
Opera, Gender, and Voice
Jeanneret, Christine, 2022, The Cambridge Companion to Seventeenth-Century Opera. Waeber, J. (ed.). Cambridge: Cambridge University Press, p. 108-131 23 p.Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- Published
Costumes and Cosmopolitanism: Italian Opera in the North
Jeanneret, Christine, Mar 2021, In: Cambridge Opera Journal. 32, p. 27-51Research output: Contribution to journal › Journal article › Research › peer-review
- Published
A Display of Genius: Girolamo Frescobaldi: Toccatas & Partitas, limited edition book with two CDs, Fabio Bonizzoni, harpsichord and organ
Jeanneret, Christine & Murata, M., 2013, Asnières-sur-Oise : Fondation Royaumont.Research output: Other contribution › Communication
ID: 169174459
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Le Théâtre Français au Septentrion (1669–1728): Diplomatie, Échanges Culturels et Migration entre Paris et Copenhague
Research output: Contribution to journal › Journal article › Research › peer-review
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Invisible Music: Hearing and Listening in the Early Modern World
Research output: Contribution to journal › Journal article › Research › peer-review
Published