Christine Jeanneret
Associate Professor
Section of Church History
Karen Blixens Plads 16
2300 København S
- 2018
A Recipe to Make Italian Opera in Migration: Sarti’s Observations on Italian Opera in Copenhagen, 1762
Jeanneret, Christine, 2018, In: Analecta Romana. 43, p. 111-133 22 p.Research output: Contribution to journal › Journal article › Research › peer-review
- 2017
- Published
L’objet-musique, paysage de la mémoire: Le mécénat et la collection musicale Chigi à Rome au XVIIe siècle
Jeanneret, Christine, 2017, In: Revue de Musicologie. 103, 1, p. 3-52 50 p.Research output: Contribution to journal › Journal article › Research › peer-review
- 2015
- Published
The Roman Cantata Manuscripts: A Musical Cabinet of Curiosities (1640-1680)
Jeanneret, Christine, 2015, Musical Text as Ritual Object. Schulze, H. (ed.). Turnhout: Brepols Publishers, p. 73-88Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- 2014
- Published
Archéologie musicale, philologie, progressisme et nationalisme: La restitution historique de Frescobaldi entre 1800 et 1930
Jeanneret, Christine, 2014, La musique ancienne entre musiciens et historiens. Bisaro, X. & Campos, R. (eds.). Genève: Librairie Droz, p. 309-359Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- Published
Dare in luce & con diligenza correggere: A Study of Marenzio’s Editions and Re-editions
Jeanneret, Christine, 2014, Perspectives on Luca Marenzio’s Secular Music. Calcagno, M. (ed.). Turnhout: Brepols Publishers, p. 385-408 23 p.Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- 2013
- Published
A Display of Genius: Girolamo Frescobaldi: Toccatas & Partitas, limited edition book with two CDs, Fabio Bonizzoni, harpsichord and organ
Jeanneret, Christine & Murata, M., 2013, Asnières-sur-Oise : Fondation Royaumont.Research output: Other contribution › Communication
- Published
Gender Ambivalence and The Expression of Passions in the Performances of Early Roman Cantatas by Castrati and Female Singers
Jeanneret, Christine, 2013, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Cochrane, T., Fantini, B. & Scherer, K. (eds.). Oxford: Oxford University Press, p. 85-101, 359-69 26 p.Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- Published
Girolamo Frescobaldi
Jeanneret, Christine & Gustafson, B. (ed.), 2013, Oxford Bibliographies Online: Music. New York: Oxford University PressResearch output: Chapter in Book/Report/Conference proceeding › Encyclopedia chapter › Research
- Published
Maria Cavalli: In The Shadow of Francesco
Jeanneret, Christine, 2013, Readying Cavalli’s Operas for the Stage: Manuscript, Edition, Production. Rosand, E. (ed.). Farnham: Ashgate, p. 95-117 22 p. (Ashgate Interdisciplinary Studies in Opera).Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- Published
Places of Memory and Invention A. Woolley, J. Kitchen (Farnham: Ashgate), 65-81: The Compositional Process in Frescobaldi’s Manuscripts
Jeanneret, Christine, 2013, Interpreting historical keyboard music : Sources, contexts and performance. Woolley, A. & Kitchen, J. (eds.). Farnham: Ashgate, p. 65-81Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
ID: 169174459
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Le Théâtre Français au Septentrion (1669–1728): Diplomatie, Échanges Culturels et Migration entre Paris et Copenhague
Research output: Contribution to journal › Journal article › Research › peer-review
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Invisible Music: Hearing and Listening in the Early Modern World
Research output: Contribution to journal › Journal article › Research › peer-review
Published