Christine Jeanneret

Christine Jeanneret

Associate Professor


  1. 2018
  2. A Recipe to Make Italian Opera in Migration: Sarti’s Observations on Italian Opera in Copenhagen, 1762

    Jeanneret, Christine, 2018, In: Analecta Romana. 43, p. 111-133 22 p.

    Research output: Contribution to journalJournal articleResearchpeer-review

  3. 2017
  4. Published

    L’objet-musique, paysage de la mémoire: Le mécénat et la collection musicale Chigi à Rome au XVIIe siècle

    Jeanneret, Christine, 2017, In: Revue de Musicologie. 103, 1, p. 3-52 50 p.

    Research output: Contribution to journalJournal articleResearchpeer-review

  5. 2015
  6. Published

    The Roman Cantata Manuscripts: A Musical Cabinet of Curiosities (1640-1680)

    Jeanneret, Christine, 2015, Musical Text as Ritual Object. Schulze, H. (ed.). Turnhout: Brepols Publishers, p. 73-88

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

  7. 2014
  8. Published

    Archéologie musicale, philologie, progressisme et nationalisme: La restitution historique de Frescobaldi entre 1800 et 1930

    Jeanneret, Christine, 2014, La musique ancienne entre musiciens et historiens. Bisaro, X. & Campos, R. (eds.). Genève: Librairie Droz, p. 309-359

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

  9. Published

    Dare in luce & con diligenza correggere: A Study of Marenzio’s Editions and Re-editions

    Jeanneret, Christine, 2014, Perspectives on Luca Marenzio’s Secular Music. Calcagno, M. (ed.). Turnhout: Brepols Publishers, p. 385-408 23 p.

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

  10. 2013
  11. Published

    A Display of Genius: Girolamo Frescobaldi: Toccatas & Partitas, limited edition book with two CDs, Fabio Bonizzoni, harpsichord and organ

    Jeanneret, Christine & Murata, M., 2013, Asnières-sur-Oise : Fondation Royaumont.

    Research output: Other contributionCommunication

  12. Published

    Gender Ambivalence and The Expression of Passions in the Performances of Early Roman Cantatas by Castrati and Female Singers

    Jeanneret, Christine, 2013, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Cochrane, T., Fantini, B. & Scherer, K. (eds.). Oxford: Oxford University Press, p. 85-101, 359-69 26 p.

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

  13. Published

    Girolamo Frescobaldi

    Jeanneret, Christine & Gustafson, B. (ed.), 2013, Oxford Bibliographies Online: Music. New York: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingEncyclopedia chapterResearch

  14. Published

    Maria Cavalli: In The Shadow of Francesco

    Jeanneret, Christine, 2013, Readying Cavalli’s Operas for the Stage: Manuscript, Edition, Production. Rosand, E. (ed.). Farnham: Ashgate, p. 95-117 22 p. (Ashgate Interdisciplinary Studies in Opera).

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

  15. Published

    Places of Memory and Invention A. Woolley, J. Kitchen (Farnham: Ashgate), 65-81: The Compositional Process in Frescobaldi’s Manuscripts

    Jeanneret, Christine, 2013, Interpreting historical keyboard music : Sources, contexts and performance. Woolley, A. & Kitchen, J. (eds.). Farnham: Ashgate, p. 65-81

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

ID: 169174459