Christine Jeanneret
Associate Professor
Section of Church History
Karen Blixens Plads 16
2300 København S
- 2013
- Published
A Display of Genius: Girolamo Frescobaldi: Toccatas & Partitas, limited edition book with two CDs, Fabio Bonizzoni, harpsichord and organ
Jeanneret, Christine & Murata, M., 2013, Asnières-sur-Oise : Fondation Royaumont.Research output: Other contribution › Communication
- Published
Gender Ambivalence and The Expression of Passions in the Performances of Early Roman Cantatas by Castrati and Female Singers
Jeanneret, Christine, 2013, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Cochrane, T., Fantini, B. & Scherer, K. (eds.). Oxford: Oxford University Press, p. 85-101, 359-69 26 p.Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- Published
Girolamo Frescobaldi
Jeanneret, Christine & Gustafson, B. (ed.), 2013, Oxford Bibliographies Online: Music. New York: Oxford University PressResearch output: Chapter in Book/Report/Conference proceeding › Encyclopedia chapter › Research
- Published
Maria Cavalli: In The Shadow of Francesco
Jeanneret, Christine, 2013, Readying Cavalli’s Operas for the Stage: Manuscript, Edition, Production. Rosand, E. (ed.). Farnham: Ashgate, p. 95-117 22 p. (Ashgate Interdisciplinary Studies in Opera).Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- Published
Places of Memory and Invention A. Woolley, J. Kitchen (Farnham: Ashgate), 65-81: The Compositional Process in Frescobaldi’s Manuscripts
Jeanneret, Christine, 2013, Interpreting historical keyboard music : Sources, contexts and performance. Woolley, A. & Kitchen, J. (eds.). Farnham: Ashgate, p. 65-81Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- Published
Review of: The Music Library of a Noble Florentine Family, ed. Susan Parisi [et al.]
Jeanneret, Christine, 2013, In: Notes: Quarterly Journal of the Music Library Association. 69, 4, p. 732-34Research output: Contribution to journal › Review › Research › peer-review
- Published
The Chameleon Does Not Feed on Air: A Reply to Annibaldi’s Observations
Jeanneret, Christine, 2013, In: Early Music. 41 , 2, p. 331-33Research output: Contribution to journal › Comment/debate › Research › peer-review
- Published
The Score as a Representation , eds T. Dumitriescu, K. Kügle, M. van Berchum: Writing and Printing Techniques of Music in Italy (1580s-1650s)
Jeanneret, Christine, 2013, Early Music Editing: Principles, Historiography, Future Directions. Dumitrescu, T., Kügle, K. & van Berchum, M. (eds.). Turnhout: Brepols Publishers, p. 171-194Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
ID: 169174459
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33
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Le Théâtre Français au Septentrion (1669–1728): Diplomatie, Échanges Culturels et Migration entre Paris et Copenhague
Research output: Contribution to journal › Journal article › Research › peer-review
Published -
23
downloads
Invisible Music: Hearing and Listening in the Early Modern World
Research output: Contribution to journal › Journal article › Research › peer-review
Published