The Grand Theatre of the World: Music, Space, and the Performance of Identity in Modern Rome

Research output: Book/ReportBookResearchpeer-review

Standard

The Grand Theatre of the World : Music, Space, and the Performance of Identity in Modern Rome. / Jeanneret, Christine (Editor); De Lucca, Valeria (Editor).

London : Routledge, 2019. 236 p. (Ashgate Interdisciplinary Studies in Opera).

Research output: Book/ReportBookResearchpeer-review

Harvard

Jeanneret, C & De Lucca, V (eds) 2019, The Grand Theatre of the World: Music, Space, and the Performance of Identity in Modern Rome. Ashgate Interdisciplinary Studies in Opera, Routledge, London.

APA

Jeanneret, C., & De Lucca, V. (Eds.) (2019). The Grand Theatre of the World: Music, Space, and the Performance of Identity in Modern Rome. Routledge. Ashgate Interdisciplinary Studies in Opera

Vancouver

Jeanneret C, (ed.), De Lucca V, (ed.). The Grand Theatre of the World: Music, Space, and the Performance of Identity in Modern Rome. London: Routledge, 2019. 236 p. (Ashgate Interdisciplinary Studies in Opera).

Author

Jeanneret, Christine (Editor) ; De Lucca, Valeria (Editor). / The Grand Theatre of the World : Music, Space, and the Performance of Identity in Modern Rome. London : Routledge, 2019. 236 p. (Ashgate Interdisciplinary Studies in Opera).

Bibtex

@book{c096d240a4724e2abe27f440f4c30529,
title = "The Grand Theatre of the World: Music, Space, and the Performance of Identity in Modern Rome",
abstract = "Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the {"}grande teatro del mondo{"}. The aim of this book is to consider music and space as fundamental elements in the performance of identity in early modern Rome. Rome{\textquoteright}s unique milieu, as defined by spiritual and political power, as well as diplomacy and competition between aristocratic families, offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective.",
editor = "Christine Jeanneret and {De Lucca}, Valeria",
year = "2019",
month = aug,
language = "English",
isbn = "9781472488220",
series = "Ashgate Interdisciplinary Studies in Opera",
publisher = "Routledge",
address = "United Kingdom",

}

RIS

TY - BOOK

T1 - The Grand Theatre of the World

T2 - Music, Space, and the Performance of Identity in Modern Rome

A2 - Jeanneret, Christine

A2 - De Lucca, Valeria

PY - 2019/8

Y1 - 2019/8

N2 - Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of identity in early modern Rome. Rome’s unique milieu, as defined by spiritual and political power, as well as diplomacy and competition between aristocratic families, offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective.

AB - Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of identity in early modern Rome. Rome’s unique milieu, as defined by spiritual and political power, as well as diplomacy and competition between aristocratic families, offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective.

UR - https://www.routledge.com/The-Grand-Theater-of-the-World-Music-Space-and-the-Performance-of-Identity/Lucca-Jeanneret/p/book/9781472488220

M3 - Book

SN - 9781472488220

T3 - Ashgate Interdisciplinary Studies in Opera

BT - The Grand Theatre of the World

PB - Routledge

CY - London

ER -

ID: 162185656