Omissions, Blanks, and Silences – Reading Shakespeare’s Sonnet 126

Research output: Contribution to journal › Journal article › Research › peer-review

Standard

Omissions, Blanks, and Silences – Reading Shakespeare’s Sonnet 126. / Henriksen, Anni Haahr .

In: Symbolism: An International Annual of Critical Aesthetics, Vol. 21, No. 21, 12.08.2021.

Research output: Contribution to journal › Journal article › Research › peer-review

Harvard

Henriksen, AH 2021, 'Omissions, Blanks, and Silences – Reading Shakespeare’s Sonnet 126', Symbolism: An International Annual of Critical Aesthetics, vol. 21, no. 21.

APA

Henriksen, A. H. (Accepted/In press). Omissions, Blanks, and Silences – Reading Shakespeare’s Sonnet 126. Symbolism: An International Annual of Critical Aesthetics, 21(21).

Vancouver

Henriksen AH. Omissions, Blanks, and Silences – Reading Shakespeare’s Sonnet 126. Symbolism: An International Annual of Critical Aesthetics. 2021 Aug 12;21(21).

Author

Henriksen, Anni Haahr . / Omissions, Blanks, and Silences – Reading Shakespeare’s Sonnet 126. In: Symbolism: An International Annual of Critical Aesthetics. 2021 ; Vol. 21, No. 21.

Bibtex

@article{aec73b998530416b85ab5e663e4a5010,
title = "Omissions, Blanks, and Silences – Reading Shakespeare{\textquoteright}s Sonnet 126",
abstract = "The purpose of this essay is threefold: first, it provides an overview of the complicated print history of Q 126 with a special emphasis on the status accorded to the empty couplet across editions. Second, it discusses recent critical interpretations of the empty couplet and highlights three theories that give a visual reading of the parentheses and the blank space at their capture. Third, it offers a new interpretation of the couplet that takes into account the visual, verbal, and aural modes of the poem.",
author = "Henriksen, {Anni Haahr}",
year = "2021",
month = aug,
day = "12",
language = "English",
volume = "21",
journal = "Symbolism: An International Annual of Critical Aesthetics",
issn = "1528-3623",
publisher = "De Gruyter",
number = "21",

}

RIS

TY - JOUR

T1 - Omissions, Blanks, and Silences – Reading Shakespeare’s Sonnet 126

AU - Henriksen, Anni Haahr

PY - 2021/8/12

Y1 - 2021/8/12

N2 - The purpose of this essay is threefold: first, it provides an overview of the complicated print history of Q 126 with a special emphasis on the status accorded to the empty couplet across editions. Second, it discusses recent critical interpretations of the empty couplet and highlights three theories that give a visual reading of the parentheses and the blank space at their capture. Third, it offers a new interpretation of the couplet that takes into account the visual, verbal, and aural modes of the poem.

AB - The purpose of this essay is threefold: first, it provides an overview of the complicated print history of Q 126 with a special emphasis on the status accorded to the empty couplet across editions. Second, it discusses recent critical interpretations of the empty couplet and highlights three theories that give a visual reading of the parentheses and the blank space at their capture. Third, it offers a new interpretation of the couplet that takes into account the visual, verbal, and aural modes of the poem.

M3 - Journal article

VL - 21

JO - Symbolism: An International Annual of Critical Aesthetics

JF - Symbolism: An International Annual of Critical Aesthetics

SN - 1528-3623

IS - 21

ER -

ID: 275992893